Note: This is the 2011鈥�2012 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click聽here to jump to the newest eCalendar.
Program Requirements
Revision, August 2011. Start of revision. The Minor Music History is available to all students (with the exception of students in the Major in Music History). This option will take the place of music electives and/or free electives, as well as history, literature, and performance practice complementary courses.History
3 credits of:
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MUHL 570 Research Methods in Music (3 credits)
Overview
Music History and Literature : Survey and critical evaluation of research- and performance-related tools: composers' collected editions, monuments of music, bibliographies of music and music literature, discographies, directories, and databases. Topics will include: developing bibliographies, structuring written arguments, assessing academic and popular writings about music, and understanding the task of the music editor.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
Complementary
15 credits selected from Music History complementary courses chosen freely from Groups I and II.
Note: MUHL 591D1 and MUHL 591D2 are selected together.
Group I
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MUHL 377 Baroque Opera (3 credits)
Overview
Music History and Literature : History of opera from its origins in the musical, literary, and philosophical models available to the Florentine Camerata to the end of the baroque. The development of opera will be studied from the perspective of artistic style and in the light of historical, political, social, and economic conditions.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 379 Solo Song 1100-1700 (3 credits)
Overview
Music History and Literature : Development of solo song in the twelfth century: troubadour, trouv猫re, and Minnesang, devotional songs, the Burgundian chanson, Elizabethan lute songs, air de cour, Italian and English continuo songs, the German Lied in the sixteenth and seventeenth centuries. Stylistic features, poetic and musical forms, and performance practice.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 380 Medieval Music (3 credits)
Overview
Music History and Literature : The medieval style - an intensive study of one or more selected topics from the repertoire. Possible subjects include liturgical chant, Notre Dame, the medieval motet, secular developments, and instrumental literature.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 381 Renaissance Music (3 credits)
Overview
Music History and Literature : Sacred and secular musical genres of the 15th and 16th Centuries. Various phases of imitative practice, cantus firmus and parody techniques. The emergence of homophonic textures in peripheral areas of the repertoire. Selected problems in the fields of theory, bibliography and aesthetics.
Terms: Winter 2012
Instructors: Chiu, Remi (Winter)
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MUHL 382 Baroque Music (3 credits)
Overview
Music History and Literature : A detailed examination of several selected areas of Baroque music. Topics will be drawn from different geographical regions (e.g., Italy, France, Germany, etc.) and encompass church, chamber and theatre music, as well as performance practice. Each topic will be related to general musical developments of the period.
Terms: Winter 2012
Instructors: Beghin, Tom (Winter)
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MUHL 395 Keyboard Literature before 1750 (3 credits)
Overview
Music History and Literature : The solo repertoire for organ, harpsichord, and clavichord from 1400 to 1750: intabulation, cantus firmus treatment, indigenous keyboard genres, German organ literature, French harpsichord repertoire.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 591D1 Paleography (1.5 credits)
Overview
Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.
Terms: Fall 2011
Instructors: Cumming, Julie Emelyn (Fall)
1 hour
Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
Restriction: U3 honours students in History
Normally alternates with MUHL 529
Students must register for both MUHL 591D1 and MUHL 591D2
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
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MUHL 591D2 Paleography (1.5 credits)
Overview
Music History and Literature : See MUHL 591D1 for course description.
Terms: Winter 2012
Instructors: Cumming, Julie Emelyn (Winter)
Prerequisite: MUHL 591D1
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
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MUPP 381 Topics in Performance Practice (3 credits)
Overview
Performance Practice : Issues in performance traditions. Topics focus on rhythmic interpretation, vocal and instrumental style, ornamentation, improvisation, performance venues and context. Sources include original notation and modern editions, treatises, iconography, organology, analysis, criticism, and recordings.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
- 3 hours
- Restriction: Not open to students who have taken MUPP 385
Group II
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MUHL 330 Music and Film (3 credits)
Overview
Music History and Literature : The modern genre of music for films, and its changing styles (symphonic, jazz, pop compilation) from the silent era to today. Includes study of major film composers in North America and other traditions; analysis of the role of music in cinematic narrative, expression and symbolism.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 362 Popular Music (3 credits)
Overview
Music History and Literature : History, criticism, and analysis of twentieth-century repertoires of popular musics. Detailed examination of special topics. These include genre and style in 1970s rock and soul, history of the Broadway musical, approaches to the transcription of pop music, and/or constructions of race and gender in music video.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 366 The Era of the Fortepiano (3 credits)
Overview
Music History and Literature : Survey of the repertoire for keyboard 1750-1850: the instruments, Empfindsamkeit, gallant style, London, Paris, Vienna, the Czech school, Haydn, Mozart, Beethoven, sonatas, variations, character pieces, "high" and "low" salon music, virtuosos and the virtuoso repertoire, Schubert, Chopin, Schumann, Mendelssohn, early Liszt.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 372 Solo Song Outside Germany and Austria (3 credits)
Overview
Music History and Literature : Topics in American and European non-German song repertoire from the eighteenth century to the present. Issues discussed may include the role of song in national music culture, art song and folk song, national styles and poetic traditions, text-music relationships, and performance practice.
Terms: Winter 2012
Instructors: Schwartz, Catherine (Winter)
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MUHL 383 Classical Music (3 credits)
Overview
Music History and Literature : The period covered will be from approximately 1740-1828, from the schools of the Italian keyboard composers, opera buffa and seria, and composers centred at Mannheim, Paris, London, Berlin and Vienna, through the Viennese Classic period of Haydn, Mozart and Beethoven, to the death of Schubert.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 384 Romantic Music (3 credits)
Overview
Music History and Literature : The Romantic style as traced by an analysis of works by the major composers of Lied, symphony, symphonic poem, chamber music, and opera.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 385 Early Twentieth-Century Music (3 credits)
Overview
Music History and Literature : Development of European, Russian, and American music from the 1890s until the early 1940s, tracing its roots in late 19th-century Romanticism and following its evolution in central Europe, France, and the United States. The music of major innovators such as Debussy, Stravinsky, Schoenberg, Ives, and Var猫se will be discussed.
Terms: Winter 2012
Instructors: Barg, Lisa (Winter)
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MUHL 386 Chamber Music Literature (3 credits)
Overview
Music History and Literature : The course will concentrate on the forms and media for chamber ensembles during the 18th, 19th and 20th centuries: accompanied sonatas, duos, trios, quartets, quintets, sextets, divertimenti, and works for small chamber orchestra. Major works of the most representative composers will be discussed.
Terms: Fall 2011
Instructors: Beghin, Tom (Fall)
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MUHL 387 Opera from Mozart to Puccini (3 credits)
Overview
Music History and Literature : Mozart's operas and the seria, buffa, and Singspiel traditions. Ottocento opera, grand opera, and cross-fertilization between France and Italy. German Romantic opera. Wagner. Eastern European opera. Verismo and fin-de-si猫cle opera in Vienna and Paris. Sociology of opera. Emphasis on critical understanding of music's role in articulating drama.
Terms: Winter 2012
Instructors: Huebner, Steven (Winter)
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MUHL 388 Opera After 1900 (3 credits)
Overview
Music History and Literature : Major early twentieth-century works by Debussy, Strauss, Schreker, Bart贸k, Stravinsky and Schoenberg. Opera in Europe between the Wars including operas of Berg, Milhaud, Krenek, Hindemith and Weill. Politics, sociology, and literature in relationship to musical style. Approaches since 1945 in selected works by Britten, Henze, Zimmermann, Ligeti, Somers and Glass.
Terms: Fall 2011
Instructors: Barg, Lisa (Fall)
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MUHL 389 Orchestral Literature (3 credits)
Overview
Music History and Literature : Study of the literature for orchestra alone, composed since the early 18th Century. The material will be divided as follows: 1) orchestral music to the time of Beethoven; 2) orchestral music from 1800 to 1860; 3) orchestral music from 1860 to 1900; 4) orchestral music of the 20th Century.
Terms: Fall 2011
Instructors: Cain, Jerry (Fall)
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MUHL 390 The German Lied (3 credits)
Overview
Music History and Literature : Survey of the German Lied from the late eighteenth to the early twentieth century, focusing on songs and song cycles by Schubert, Schumann, Brahms, Wolf, Mahler, Schoenberg, Berg, and Webern. Topics include text, musical form and text-music relationships, melodic style and harmonic organization, accompaniment, and performance practice.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 391 Canadian Music (3 credits)
Overview
Music History and Literature : Survey of music in Canada from the 16th Century to the present. Current musical organizations and institutions, and contemporary Canadian music will be stressed. Time permitting, brief reference will be made to the folk music of indigenous and immigrant groups.
Terms: Winter 2012
Instructors: Cherney, Brian (Winter)
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MUHL 392 Music since 1945 (3 credits)
Overview
Music History and Literature : Appearance and evolution of such post-war phenomena as total serialism, "chance" music of various kinds, and electronic music as seen in major figures such as Boulez, Stockhausen, Cage and others in Europe and the United States. Important developments during the 1960s. Rise of "minimalism" and "neo-Romanticism" during the 1970s and 80s.
Terms: Fall 2011
Instructors: Brackett, David (Fall)
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MUHL 393 History of Jazz (3 credits)
Overview
Music History and Literature : A study of the history and development of jazz through listening, reading, video viewing, lectures and discussion. The central goals will be to learn how to hear jazz critically and to understand the values, meanings, and sensibilities of jazz as a social practice.
Terms: Winter 2012
Instructors: Brackett, David (Winter)
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MUHL 396 Era of the Modern Piano (3 credits)
Overview
Music History and Literature : Survey of keyboard repertoire from 1850 to the present: instruments, the crisis at mid-century, character pieces, Brahms, late Liszt, national schools, commercialization - the concert hall, music for the bourgeois - salon music, Scriabin, the Second Viennese School, Impressionism, Neo-Classicism, Neo-Romanticism, serialism, the sonata in the 20th-century, North American composers.
Terms: Fall 2011
Instructors: Whitesell, Lloyd (Fall)
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MUHL 397 Choral Literature after 1750 (3 credits)
Overview
Music History and Literature : The development of sacred and secular choral music from 1750 to the present. Selected liturgical and secular works will be included; the Mass, the cantata, the oratorio and other genres. Form and stylistic considerations will be examined in representative works.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
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MUHL 398 Wind Ensemble Literature after 1750 (3 credits)
Overview
Music History and Literature : Study of wind ensemble music from Handel to Xenakis as it evolved under the influences of changing musical taste and technological advance. Topics include wind chamber music, music of the French Revolution, the 19th-century military band and the development of school, college and professional bands since 1900.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
Revision, August 2011. End of revision.
Schulich School of Music—2011-2012 (last updated Aug. 17, 2011) (disclaimer)