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Monday 13 July (plenary session)
The times for the first sessions are:
7:30-11:30 PDT / 10:30-14:30 EDT / 11:30-15:30 ADT / 16:30-20:30 CET / 21:30-01:30 CST.
These will all be recorded and made available on the ACTOR website. To fit everything in, this will be a longer session (4 hours) with a 20-min break, starting a half hour earlier and ending a half hour later.
Stephen McAdams, Introduction to workshop [10']
To keep this to a minimum, the Director's Report, KMC report, and TMC report can be found at .
Lindsey Reymore (Ohio State University coming to 成人VR视频) [30']
Matthew Zeller (Duke University coming to 成人VR视频) [30']
Yuval Adler (成人VR视频) [30']
Break in Zoom breakout rooms [20']
Eliazer Kramer (Universit茅 de Montr茅al) [30']
Ioannis Mitsialis (University of California, San Diego) [30']
Victor Rosi (Ircam-Centre Pompidou) [30']
Jithin Thilakan (Detmold University of Music) [30']
For the complete abstracts, visit Student Presentations.
**The times for all subsequent sessions are:
8:00-11:00 PDT / 11:00-14:00 EDT / 12:00-15:00 ADT / 17:00-20:00 CET / 22:00-01:00 CST.
Tuesday 14 July
- Timbre and orchestration analysis (Hasegawa) [34 expressions of interest]
- Acoustics of musical performance rooms (Kob) [7]
Wednesday 15 July
- Composer-performer orchestration research ensembles (McAdams, Reynolds, Traube) [29]
- Timbre and orchestration resource (TOR) on the ACTOR website (Noble, Soden) [16]
Thursday 16 July
- Timbre semantics (Traube, Wallmark) [22]
- Computer-aided target-based orchestration (Cella) [17]
Friday 17 July
- OrchView and the perceptual grouping taxonomy (Baril, McAdams) [22]
- Computational tools and AI for orchestration (Esling) [18]
After some discussion with colleagues, and taking Zoom fatigue into account, each 3-hour session will be divided into two parts with a 20-minute break in the middle. One idea for this break is to have people randomly assigned to breakout rooms for informal chat, an option easily implemented in Zoom.